Welcome to The Tuna Melt Music Sharity Blog!

It is here that I post old records that I've ripped
to Mp3 format (and grouped in .ZIP files) via File Sharing Sites,
album cover scans and, sometimes,
somewhat coherent ramblings related to said shares.

Most of the items shared are rips of Out-of-Print
(or, at least, very difficult to acquire)
Vinyl Records from my own collection,
or Compilations ("Seasonal" or "Genre-Specific") made up of Mp3 files
either digitally collected or ripped from Compact Disk.

Come on in. Look around.
Scroll downward to find available links.
I hope you find something you like.

If you don't,
you can always come back later, as the variety
of what is made available should be pretty wide-ranging.


Showing posts with label alt.country. Show all posts
Showing posts with label alt.country. Show all posts

Sunday, July 15, 2007

Jason and The Scorchers: Fervor & Still Standing


Tuna Melt goes CowPunk!


One of these discs was posted at The Tuna Melt last year, but now is your chance to get it if you didn't then. In case you're not familiar with CowPunk, these guys are a great place to start. This is how that happened...

This fella, who grew up on a Pig Farm in Illinois, moves to Nashville with dreams of being a Music Star. But not a Nashville Music Star. He's kinda into a more Punk Rock frame of mind. At the same time, though, he's from a Pig Farm in Illinois, so his song's lyrics are a bit more, well... Country. Somehow he bumped into the most incredible bunch of young musicians in the Music City. The band that they formed was too good for words.

Too good for American Radio too, I suppose, as Country Radio refused to play them because they were too Rock and Rock Radio refused them because, of course, they were too Country. As a result, after releasing four appropriately Scorching albums, they disbanded in 1989. After that, of course, thier history gets complicated.

Jason and the Nashville Scorchers were the closest that Cowpunk ever got to Real Punk. Although the songs are tuneful and melodic beyond what most punk ever dreamed of, and they could also play the quiet stuff as good as The Flying Burritos or The Byrds, the energy and drive they pushed into each tune put them into a class that includes the fastest, loudest bands of all time.

This is their first nationwide American release, a 7-song Mini Album that came out in 1983.

Jason and The Scorchers: Fervor

  1. Absolutely Sweet Marie
  2. Help There's a Fire
  3. I Can't Help Myself
  4. Hot Nights in Georgia
  5. Pray for Me, Mama (I'm a Gypsy Now)
  6. Harvest Moon
  7. Both Sides of the Line

And this is their third album, from 1986.

Jason and The Scorchers: Still Standing

  1. Golden Ball and Chain
  2. Crashin' Down
  3. Shotgun Blues
  4. Good Things Come to Those Who Wait
  5. My Heart Still Stands with You
  6. 19th Nervous Breakdown
  7. Ocean of Doubt
  8. Ghost Town
  9. Take Me to Your Promised Land

Friday, April 06, 2007

Last Roundup: Twister!


They Were alt.country when alt.country Wasn't Cool


Everything in Popular Culture, of course, happens in waves. Things that are hugely popular one minute are tossed to the dust bin the next and left there for several years only to become hugely popular once again when discovered by a new audience. While Country Music remains popular with it's own core audience it slips in and out of acceptance with the Rock 'n' Roll crowd about once each decade.

In the 50s it was Rock 'n' Roll's Country Cousin - Rockabilly.

The 60s saw the youth of America embrace Folk Music, most of which was just Old Time Country Music.

Rock fans of the 70s were reintroduced to Country by the likes of Country Joe McDonald, Gram Parsons and Albert Lee. The stuff they played was called Country Rock, but it was just plain Country when it came right down to it.

In the 80s we had a handful of leftover hippies who moved over to the Country stations, but the real Country-Rock Connection of the Post Punk era was known as Cowpunk and was played by bands like Jason and the Nashville Scorchers, Dash Riprock, Rank & File and The Knitters.

The 90s gave us alt.country, with Uncle Tupelo paving the way for BR5-49, The Lonesome Brothers, The Gourds, The Bottle Rockets and a pile of others.

This record came out somewhere between Cowpunk and alt.country. In 1987 there weren't even Country bands who played music that sounded this much like, well, Country Music. And although there were bands who were tossed into the Cowpunk category who played softer sounds than the Punk designation would suggest, there were very few that played a sound as simple and retro as this one. NOBODY on Country Radio was playing anything that sounded anything like this by 1987, and neither have they since.

Last Roundup is made up of Angel Dean singing lead vocals, Amy McMahon Rigby playing guitar and harmonizing, her brother Michael McMahon playing Guitar, Lap Steel and Fiddle, and Garth Powell. The songs were written by the McMahon siblings and you may recognize Amy as she of "Diary of a Mod Housewife" fame a decade later. Angel Dean had a great alt.country band called Angel Dean & The Zephyrs who had a couple of songs on the Rig Rock Deluxe series by Deisel Only Records. She released a record with Sue Garner, who had preceeded her as vocalist for Last Roundup, in 2004.

Last Roundup: Twister!

  1. Cast Iron Girl
  2. Playin' the Fool
  3. To Paint the Town Red (You Need a Bucketful of Green)
  4. Mama's Last Stand
  5. Don't Wake Me Up
  6. River of Red
  7. At the Well
  8. (A Matter of) Satisfaction
  9. Walk in a Straight Line
  10. Just a Little is Enough
  11. Mary Beth Edwards