Welcome to The Tuna Melt Music Sharity Blog!

It is here that I post old records that I've ripped
to Mp3 format (and grouped in .ZIP files) via File Sharing Sites,
album cover scans and, sometimes,
somewhat coherent ramblings related to said shares.

Most of the items shared are rips of Out-of-Print
(or, at least, very difficult to acquire)
Vinyl Records from my own collection,
or Compilations ("Seasonal" or "Genre-Specific") made up of Mp3 files
either digitally collected or ripped from Compact Disk.

Come on in. Look around.
Scroll downward to find available links.
I hope you find something you like.

If you don't,
you can always come back later, as the variety
of what is made available should be pretty wide-ranging.


Showing posts with label Country Rock. Show all posts
Showing posts with label Country Rock. Show all posts

Saturday, February 09, 2008

The Contenders: The Contenders


Repost for Good Reason: They Coulda Been...


I attended a show, this afternoon, by a band called The Belleville Outfit. Go see their blog (at http://www.thebellevilleoutfit.blogspot.com/) and then go buy their new CD at your local (preferably locally owned) Music Store. They were in town to pay tribute to a local hero and are playing in a sold out program this evening that features a larger group of artists paying tribute to the same man.

Walter Hyatt is legendary in these parts (and several others) as the lead songwriter for a band called "Uncle Walt's Band", who influenced songwriters such as Lyle Lovett and Robert Earle Keen while living and performing in Austin, TX. He was killed in the crash of
ValuJet Flight 592 in 1996, at the time pursuing a successful solo career.

He was also a member of another band. The Contenders were a group that was put together while Hyatt and fellow "Uncle Walt's" alumn DesChamps Hood were living in Nashville in the 70s and 80s. They released but one album and it is phenomenal.
If I thought I could explain the record, or the band, any better than Eugene Chadbourne already has for "The All Music Guide" I would try. I can't, though, so here is what he has to say:

"The Contenders are considered one of the great "could have been" bands from the progressive country scene, featuring several of the brilliant players associated with Uncle Walt's Band in combination with a pair of North Carolina pickers and songwriters. It wasn't the quality of music that kept this group from ever hitting it big, despite the adage "the worse the music, the more the people." But it very well could have been the group's name, since a band that calls itself the Contenders is going to have to compete with a religious cult, a Kinks album, a television series, a film, and an eight-piece Minneapolis ska band, not to mention the category of shreeves running for public office that refer to themselves as "contenders" as well. The Contenders under discussion here originally formed in Nashville in the early '70s. Singer and guitarist Walter Hyatt and Champ Hood, a pro on fiddle as well as guitar and vocals, joined up with Steve Runkle and Tommy Goldsmith. Hyatt and Hood were two of the three members of Uncle Walt's Band, a group that had formed while still in high school in Spartanburg, SC. Drummer Jimbeau Walsh consolidated the Contenders lineup, which boasted a whopping (or horrifying, depending on one's point of view and band politics) four songwriters and lead vocalists.

"Fans of the band tend to feel the wonderful harmonies and ace picking were severely overlooked by the country rock audience. The success of groups in this genre, such as the Eagles, could have been the Contenders'. Yet not a single recording made by the Eagles had the complexity or musical interest of the Contenders, which goes a long way toward explaining one group's popularity and the other's lack of it. Ragtime and swing influences came into the band via Hyatt and Hood, while Goldsmith brought in an authentic old-time country-rock sound that is completely out of the Glenn Frey universe.

"Hyatt and Hood continued on with a re-formed Uncle Walt's Band into the early '80s, followed by solo careers for both and a busy schedule as a fiddle session man for Hood. In 1997, Hyatt died in the awful ValuJet crash in the Everglades. Runkle remained in Nashville as a writer and player, working and recording with artists such as David Olney and Tom House. Goldsmith, on the other hand, became a journalist while Walsh is supposedly in Hawaii doing who knows what. Of interest to song collectors obsessed with American cities would be Runkle's "Greensboro Blues," supposedly inspired by Olney's "Original Greensboro Blues." Other songs about Greensboro include "Greensboro Woman" by Townes Van Zandt and yet another "Greensboro Blues," this one by Bruce Piephoff, the only one of these jokers who actually lives in Greensboro. The Contenders, minus Goldsmith, who was recovering from an operation, backed Olney up on short tours in the late '70s." - Eugene Chadbourne, The All Music Guide

Sadly, the parts left out of this story (which was written, I'm sure, before they took place) are that both DesChamps Hood and Steve Runkle have passed away in the meantime.


This is a great record. It's a bit more laid back than what you usually find here (even moreso than some of the Easy Listening records I've posted) but it has a groove all it's own. Git it.

The Contenders: The Contenders
  1. Lean on Your Mind
  2. The Lack of Love
  3. Walking Angel
  4. Hollywood Girls
  5. Silver Cup
  6. Chain of Emotion
  7. Dim the Light
  8. Smokey Night Life
  9. Whatever Reason
  10. Talk
  11. Light from Carolina

Sunday, January 20, 2008

Nicks and Buckingham: Buckingham Nicks


Aaaackkk! Naked Peoples!


Don't worry. You haven't stumbled upon another Porn Site. It's just a record jacket featuring a couple of Long Haired Musicians Au Naturale.

This record was released in 1973 and was a huge commercial disappointment for Polydor Records (who released it again, with much the same result, in 1976 after Lindsey Buckingham and Stevie Nicks had joined Fleetwood Mac). All the same, it commanded a rabid cult following in the late 70s and through the 80s and I can't figure out why it's never seen wide release on CD.

  1. Crying in the Night
  2. Stephanie
  3. Without a Leg to Stand On
  4. Crystal
  5. Long Distance Winner
  6. Don't Let Me Down Again
  7. Django
  8. Races are Run
  9. Lola (My Love)
  10. Frozen Love

Sunday, July 15, 2007

Jason and The Scorchers: Fervor & Still Standing


Tuna Melt goes CowPunk!


One of these discs was posted at The Tuna Melt last year, but now is your chance to get it if you didn't then. In case you're not familiar with CowPunk, these guys are a great place to start. This is how that happened...

This fella, who grew up on a Pig Farm in Illinois, moves to Nashville with dreams of being a Music Star. But not a Nashville Music Star. He's kinda into a more Punk Rock frame of mind. At the same time, though, he's from a Pig Farm in Illinois, so his song's lyrics are a bit more, well... Country. Somehow he bumped into the most incredible bunch of young musicians in the Music City. The band that they formed was too good for words.

Too good for American Radio too, I suppose, as Country Radio refused to play them because they were too Rock and Rock Radio refused them because, of course, they were too Country. As a result, after releasing four appropriately Scorching albums, they disbanded in 1989. After that, of course, thier history gets complicated.

Jason and the Nashville Scorchers were the closest that Cowpunk ever got to Real Punk. Although the songs are tuneful and melodic beyond what most punk ever dreamed of, and they could also play the quiet stuff as good as The Flying Burritos or The Byrds, the energy and drive they pushed into each tune put them into a class that includes the fastest, loudest bands of all time.

This is their first nationwide American release, a 7-song Mini Album that came out in 1983.

Jason and The Scorchers: Fervor

  1. Absolutely Sweet Marie
  2. Help There's a Fire
  3. I Can't Help Myself
  4. Hot Nights in Georgia
  5. Pray for Me, Mama (I'm a Gypsy Now)
  6. Harvest Moon
  7. Both Sides of the Line

And this is their third album, from 1986.

Jason and The Scorchers: Still Standing

  1. Golden Ball and Chain
  2. Crashin' Down
  3. Shotgun Blues
  4. Good Things Come to Those Who Wait
  5. My Heart Still Stands with You
  6. 19th Nervous Breakdown
  7. Ocean of Doubt
  8. Ghost Town
  9. Take Me to Your Promised Land

Thursday, June 21, 2007

The Beat Farmers: The Pursuit of Happiness


I was a Member of a Cult!?!


And I didn't even know it! I thought I was just some dude that liked this band, like, a lot. Upon reading about them online recently, I find that I was a Member of their Cult Following.

So, anyway... The Beat Farmers were a Great American Rock n Roll Band. I don't care if it required my joining a Cult just to like 'em, of if they were signed, at one point, to MCA's Curb Records which was a Country Label.

Okay. I kinda do care about that last bit. The Beat Farmers were not Just a Great Rock n Roll Band, they were Also a Great Country Band.

And "The Pursuit of Happiness" was a great record. The second of theirs on Curb, and the first with Joey Harris replacing Buddy Blue on lead guitar, it starts right out with a really amazing tune, by Paul Kamanski, that I have always thought is the closest that anyone on the Left Coast has ever come to Springsteenism (or Springsteenishness, or whatever), called "Hollywood Hills," and just keeps on goin'.

Go ahead and pull the ol' Air Guitar out of it's case. Make sure it's tuned up and ready to go.

  1. Hollywood Hills
  2. Ridin'
  3. Dark Light
  4. Make It Last
  5. Key to the World
  6. God Is Here Tonight
  7. Big Big Man
  8. Elephant Day Parade
  9. Rosie
  10. Texas
  11. Big River